ISTITUTO SVIZZERO
ROMA
Villa Maraini
Via Ludovisi 48
00187 Roma
+39 06 420 421
roma@istitutosvizzero.it
Trasporto pubblico: l’Istituto Svizzero si trova vicino alla metro A fermata Barberini
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LUN-VEN
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Atlas Studios
Mercoledì/Venerdì: 14:30-18:30
Giovedì: 14:30-20:00
Sabato/Domenica: 11:00-18:30
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Performance, Via Ludovisi 48, Roma
H20:00
Serie “I Pomeriggi”
Location
Via Ludovisi 48, Roma
Information
H20:00
Serie “I Pomeriggi”
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Beauty must be angry, as Lisa suggested
L’evento è parte della serie I Pomeriggi dedicata allə Fellows.
A cura di Sultan Çoban (Fellow Roma Calling / Arti Visive, Performance).
Lavorando tra suono, immagine e presenza dal vivo, la performance Beauty must be angry, as Lisa suggested si confronta con le condizioni attraverso cui un corpo appare ed è percepito. Affronta il modo in cui la visibilità viene direzionata e controllata, e come ciò plasmi la relazione tra performer e spettatorə. Attingendo ai linguaggi visivi del cinema, della musica pop e del teatro, l’opera considera la seduzione come una forma costruita: non come narrazione, ma come modalità di messa in scena, di attenzione e di controllo. Riflette su come le immagini di femminilità, desiderio e potere vengano prodotte, abitate e trasformate.
Il testo seguente è una dichiarazione dell’artista Sultan Çoban:
„I am Sultan Çoban. I invited you here today to reveal my real voice. Yet I am shy, my voice is my heart. My heart is the magic that pulled you here. My presence is what made me famous. I stand behind this front, behind this window, I am well for now. At least I know I am above ground, and the eyes that look at me are looking up.“
„I will sing for you, do not worry. Knowing that I am watched, I move in a way that I know you love. I know what your eyes want to see.“
„Be my guest outside of my guesthouse.“
„Kisses, Sultan <3333“
L’evento può essere fotografato e/o videoregistrato per scopi di archiviazione, educativi e per scopi promozionali correlati. Partecipando a questo evento, date il vostro consenso a essere fotografate/i e/o videoregistrate/i.
Sultan Çoban (1994) è un’artista attiva tra Basilea, Zurigo e Amsterdam. La sua pratica si sviluppa tra performance, regia e installazione, con un interesse per identità culturale, memoria e autorappresentazione. Le sue opere combinano suono, proiezioni live e messe in scena. Ha conseguito un BA in Arti Visive presso la ZHdK e un MA al Sandberg Instituut. Il suo lavoro è stato presentato alla Gessnerallee di Zurigo, agli Swiss Art Awards, al festival Les Urbaines e all’Istituto Svizzero. A Roma, attraverso narrazioni visive e performance, esplora la creazione di una figura ibrida tra strega e angelo, metafora di trasformazione e identità.
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Photo series documenting Swiss innovation in architecture, engineering, and materials for sustainable environments. Fabrication and Construction of Tor Alva, 3D-Concrete extrusion, ETHZ RFL. © Girts Apskalns
Photo series documenting Swiss innovation in architecture, engineering, and materials for sustainable environments. Building: Construction of Tor Alva, the world’s tallest 3D-printed building in the Alpine village of Mulegns, Switzerland. Designed by Benjamin Dillenburger and Michael Hansmeyer (ETH Zürich). © CheWei Lin
Photo series documenting Swiss innovation in architecture, engineering, and materials for sustainable environments. Building: View from Tor Alva, the world’s tallest 3D-printed building in the Alpine village of Mulegns, Switzerland. Designed by Benjamin Dillenburger and Michael Hansmeyer (ETH Zürich). © Andrei Jipa
Photo series documenting Swiss innovation in architecture, engineering, and materials for sustainable environments. Image from “The Atlas of Regenerative Materials”, a project initiated by the chair of sustainable construction at ETH Zürich. Building: Bombasei straw bale housings by Atelier Schmidt GmbH. © Damian Poffet
Photo series documenting Swiss innovation in architecture, engineering, and materials for sustainable environments. Image from “The Atlas of Regenerative Materials”, a project initiated by the chair of sustainable construction at ETH Zürich. Building: Bombasei straw bale housings by Atelier Schmidt GmbH. © Damian Poffet
Photo series documenting Swiss innovation in architecture, engineering, and materials for sustainable environments. Image from “The Atlas of Regenerative Materials”, a project initiated by the chair of sustainable construction at ETH Zürich. Building: Bombasei straw bale housings by Atelier Schmidt GmbH. © Damian Poffet
Photo series documenting Swiss innovation in architecture, engineering, and materials for sustainable environments. Image from “The Atlas of Regenerative Materials”, a project initiated by the chair of sustainable construction at ETH Zürich. Building: Coopérative Soubeyran housing by atba SA architecture + énergie. © Jaromir Kreiliger
Photo series documenting Swiss innovation in architecture, engineering, and materials for sustainable environments. Building: Tor Alva, the world’s tallest 3D-printed building in the Alpine village of Mulegns, Switzerland. Designed by Benjamin Dillenburger and Michael Hansmeyer (ETH Zürich). © Andrei Jipa
Photo series documenting Swiss innovation in architecture, engineering, and materials for sustainable environments. Assembly of Tor Alva, the world’s tallest 3D-printed building in the Alpine village of Mulegns, Switzerland. Designed by Benjamin Dillenburger and Michael Hansmeyer (ETH Zürich). © Hansmeyer/Dillenburger
Photo series documenting Swiss innovation in architecture, engineering, and materials for sustainable environments. Image from “The Atlas of Regenerative Materials”, a project initiated by the chair of sustainable construction at ETH Zürich. Building: Bombasei straw bale housings by Atelier Schmidt GmbH. © Damian Poffet
Photo series documenting Swiss innovation in architecture, engineering, and materials for sustainable environments. Image from “The Atlas of Regenerative Materials”, a project initiated by the chair of sustainable construction at ETH Zürich. Building: Coopérative Soubeyran housing by atba SA architecture + énergie. © Jaromir Kreiliger
